The museum is very clean and put together. There some in English as well as an indoor 17th…read morecentury ship you can go into. There is also a sub you can enter as well.

The (Emanuele) Luzzati Museum is located in Porta Siberia, within the Port Antico. The place looks…read morelike a fortress both inside and out, and with a whimsical statue near the entrance that put Gayle and I in the appropriate bemused and intrigued mood. We were here for the "The Dark Side of Luzzati" exhibition and enjoyed it and with other artistic protagonists thrown in as a bonus. This place is especially recommended for creative dreamers and other out-of-the-box types of all ages.

Great museum for a day in Genoa. We came in on the cruise ship and didn't have to much time, so did…read morea highlights, quick walking tour. Enjoyed the museums collection.

We bumped into this place at lunchtime and they offer a great buffet 12.30 to 14.30, Mon to Fri for…read morea very reasonable price (12EUR). They had a great selection of all sorts of well cooked foods and you help yourself, which is great when your Italian is rudimentary or if you don't eat meat and still want something nice to eat. Don't go too late or the sweet dishes all get eaten up. You have to go through the front part of the cafe down the back to get to the buffet. Everyone was very friendly and welcoming to hungry tourists - everyone else seemed to be locals which is a recommendation.

Sono andato al Museo del Violino a Cremona senza sapere praticamente niente di violini, pensavo…read morefosse una cosa per esperti. Invece mi ha sorpreso tantissimo: è moderno, con schermi touch e audio che ti spiegano tutto in modo semplice, e vedere da vicino gli Stradivari originali è davvero impressionante, sembrano opere d'arte perfette. L'auditorium è bellissimo e ho avuto la fortuna di sentire un violino storico suonato dal vivo: un suono incredibile! Consigliatissimo anche a chi come me non è un musicista, vale ogni euro del biglietto.

We visited this museum in 2015 and have wanted to come back ever since. It really is a great,…read moremodern museum which has excellent displays of violins, violas, and other string instruments. The museum is absolutely stunning! It takes you through Cremona's five-century history of violin making by introducing you to the great masters and their violins, violas and cellos. Step-by-step, the museum describes everything that rotates around the life of the violin. You begin with how it all started; then, moves on to the luthier's workshop, where you can smell the scent of resin and wood. There is an onion shaped room for listening (which was closed on this visit). In the next room, the virtual books speak of Cremona's school of classical music and on a map of Cremona from the Stradivari era you can see the distribution of the shops. Perhaps the best part of the museum is their "Treasure Room," a room entered through heavy tapestry with lighting focused to highlight the superb violins on display. There were several made by Antonio Stradivari and by "del Gesù," among others. Both men lived in Cremona in the early part of the 1700's and knew each other. Bartolomeo Giuseppe Antonio Guarneri ("del Gesù") was an Italian luthier (violin maker) from the Guarneri family of Cremona. He rivals Antonio Stradivari with regard to the respect and reverence accorded his instruments, and for many prominent players and collectors his instruments are the most coveted of all. (Think $2-4 million for a Stradivari and $8-10 million for a "del Gesù."). At the end of your visit, you get to see the Permanent Collection of Contemporary Violin Making. The collection also explores how the modern world has joined the world of the violin with the promotion of the friends of Stradivari network. The last room is dedicated to the violin's role in films. This museum should not be missed. It is truly a treasure. The museum is closed on Mondays.

It was...ok. I think Yelp's classification here is on the money. For context, I have a PhD in…read moretheatre and film, so I was really looking forward to getting to this museum while in town for a conference. It hit the mark on many fronts, but it was disappointing in other ways. First, the signage for which line is which is not intuitive. If you want to go up the observation lift, there's a different line than if you just want to go to the museum. Again, the signs of where to go next are vague, and the museum staff don't necessarily wear a uniform, so be prepared for virtually anyone to ask for your ticket. Second, there's a one-way path through the museum, and once you've gone through, they will not allow you back through. There's a beautiful area to sit and watch films during your visit, but it seems counterintuitive to go to that area quite early in your visit. There are no signs indicating you won't be allowed back to enjoy previous exhibits. That's a user design issue that really marred my impression. Now for the good things. The museum has an excellent virtual film area that I recommend. It's obviously a nascent area of film and digital media, but this was very worth the time. The early film exhibits are world class. That alone is worth the price of admission. I wish I could take every film class to this museum! It is simply outstanding. To summarize, some wonderful exhibits sandwiched in with meh exhibits (I could skip the two levels of film posters), and some hit or miss service. Still worth a visit, just be aware of its inconsistencies.

I'm a movie lover and this is one of the best museums I've ever been to. We literally spent the…read moreentire day here and still needed more time! This is a sprawling, multi-storied (5 levels comprising of 5,000 square feet), treasure trove of Italian movie history that I highly recommend to any film buff! For just €11 admission, this place is a bargain. The museum starts with an incredible exhibit on the archaeology of cinema. Here's where you'll find a jaw-dropping collection of magic lanterns, optical boxes, phenakistiscope disks, and original 18th century "Peepshow" boxes. There's a crazy amount of photographs and videos that cover all things movie history. The top level has a cool movie poster gallery. Do NOT miss this if you are a fan of film art! There are different areas and eras that are covered from indie cinema to experimental cinema to trash films to spaghetti westerns to giallo horror to neorealism to modern-day classics and more. Props from popular films, stop-motion demonstrations, and a fun atrium where you can lie down on sofas and watch film clips. Of course it's Italy-centric, but there are items from American films too. Your ticket also includes a special exhibit. When I visited, it was an audio exhibit on film music throughout the ages (and it was awesome)! We needed every second here, but we are huge film fans. There's a small cafeteria on the first floor for light snacks. The museum is so huge that even with large crowds, it never feels crowded. I noticed some of the employees were gruff and impatient with visitors, especially if you didn't speak fluent Italian. We also saw some employees yelling at the large groups of Italian schoolchildren. The biggest letdown here is the gift shop. It's okay, but is mostly filled with replica posters and boring knick-knacks that you can buy anywhere, even in the U.S. Note that the museum is CLOSED on Tuesdays!

This place is ridiculous after COVID. For being the big museum in Turin they only do a limited…read morenumber of online tickets. No ticket office and quickly sells out on weekends. Be careful or you might not be able to visit. Book ahead if this is something you must see (personally wasn't too excited about looking at stolen artifacts from Egypt in Italy)

Great Museum and not too Touristy…read more Alright, so this is actually the only thing I did in Torino. The museum is excellent and actually pretty cheap to get into. There's tonnes of exhibits and interesting displays. I wouldn't have expected that out of an Italian Egyptian museum. I also love that it wasn't too touristy and that it was pretty chilled and relaxed. I had a great time. If my feet weren't hurting, I would have stayed way longer.