The artists' open houses are one of the best bits of the festival for me. They're a free opportunity to see a technicolour spectrum of art from grisaille to oils, with every style and medium under the sun seemingly represented by at least one or two. An excellent brochure gives a few words on each artist, their previous work and style, but my favourite way to do things is just to wander around with no expectations and see what I come up with. I've seen a lot of art I wouldn't perhaps have chosen to see this way, but I've also come up with a few gems including Christine Harfleet's brilliant fused-glass landscapes (like boiled sweets, or Venetian chandeliers, but with a definite earthy bent to the colours. The technique is fascinating too.) It's worth making the effort to explore the out-of-town independent trail, for example, or the Rottingdean or Ouse Valley ones - if you've got a day to devote to it, it's a great mini-adventure out of Brighton on the art hunt.
I've never bought art from the Artists Open Houses, but I live in hope. If there's a way I'm going to own original art, this is definitely it - some pieces are remarkably inexpensive (not many, but some) and it would definitely be a great way to pick up your first piece - straight from the artists. It would come with information from the source, which is something you almost certainly wouldn't get in a gallery - you might get a few notes or a chat with a curator, but how often do you get to talk to the artists themselves? Also, you get to see where your art was made, which personally I find fascinating - possibly because I'm incurably nosy. However, there's no denying that being let into someone's house or studio is a personal experience, and a bit of an insight into their personality. I think this will be a staple of my May for some time to come. read more