LOVED spyscape! Amazing for family or group event. Clean facility and well coordinated from staff…read more It was a nice break from the hustle! The staff was beyond helpful finding a lost piece of jewelry! Forever grateful for their professionalism and diligence with recovery!!

This was such a fun and unique experience! I surprised my boyfriend with this for his birthday, and…read morehe absolutely loved it. The challenges, puzzles, and games really make you think--you definitely have to process the clues carefully! There are multiple levels to complete, and throughout the experience you're asked questions that determine what type of agent you are, which was a really cool touch. It was challenging, but in the best way. Now that I understand how everything works, I definitely want to go back and do it again to see if I can do even better! If you're looking for something interactive, different, and a lot of fun, I highly recommend checking this place out. We'll definitely be back!

Loved loved loved the Haas brother exhibit, very intricate and thought pro boiling and genuinely…read moremade me laugh out loud due to how clever and truly wonderful their art is.

Such a cute museum, I just wished there were more open exhibits…read more Located in the Columbus Circle area and right outside of the train station is the Museum of Arts and Design. I went on a snowy weekend. The day I went, some of the active exhibits include the Afro-American heritage art, showcasing memorable works from the recent black panther franchise. Additionally, there were other art pieces focused on jewelry. I also saw an exhibit on motherhood, showcasing a variety of baby carriers. I went to the museum with my NY culturepass, making my experience free. I'd highly recommend checking it out if you're ever in the Columbus circle area.

Had fifth row orchestra seats for the JLCO orchestra in Rose Hall. Had an incredible experience and…read moreenjoyed every second of attending a great performance. I noted the seating above the orchestra floor which seemed to provide an excellent opportunity to experience the performance for probably a few dollar less in price. I wish I lived in NYC so I could attend regularly.

Beautiful space with a view of Central Park South. Great acoustics. There were risers with office…read morefurniture like chairs. They were reasonably comfortable and there was plenty of room. Great medium sized jazz venue.

LANDMARK: Unveiled in 1892, during the 400th anniversary celebration of the 1492 TRANSATLANTIC…read morevoyage. Despite growing up in the city, I rarely came to this area, so I decided to do some Tourist things. WORTH VISITING.

PROS: This park is clean and spacious. It was a monument in the middle that's very neat looking and…read morehas seating all around it CONS: Not a lot of lighting at night which makes it dangerous. It also doesn't have any scenic things like fountains, art, or plants like other areas do OVERALL: If you're in the area I would stop in to check it out, but don't get your hopes up too much for it

The celebration of Japanese art works and artists was fascinating. I had visited the gallery on…read moreWednesday afternoon. The Nippon Club is located on West 57th Street between Sixth and Seventh Avenues. The receptionist sent me up to the seventh floor in a high tech elevator where no buttons are pressed. Two exhibits were going on side by side. I found the cloisonné vases and boxes beautiful. A tapestry of two leopards was my favorite and listed for $20,000. Everything was for sale and if I had oodles of money I would have picked up one or two piece. Several of the objects were from the Meiji period (1872-1912) and Shöwa period (1926-1989). A large bowl and a box of an exquisite blue was breathtaking. Going back to street level one presses the X button in the elevator. Thank you to the Nippon Club for the invitation to visit this exhibit. I added my name for future events.

Cool small exhibit of Edo-style toys, free to the public. Nice explanatory panels. On the seventh…read morefloor in the Japanese consulate.

What's the best way to get to Carnegie Hall? PRACTICE!…read more Rich in history since it opened in the late 1800's, it has been one of NYC's and our nation's most prestigious homes for musicians, singers, performers. Excellent acoustics, from all seats. Treat yourself, they have an extensive calendar... classical, broadway, modern, jazz, etc.

Last night we attended a Jacob Collier concert at Carnegie Hall…read more I love Carnegie Hall. And my five star reviews still hold. We always get fairly decent seats, but not last night. Literally last row. I could practically touch the ceiling. My daughter bought the tix -- they weren't cheap -- we could barely see Jacob (that's not so important) but there's an echo as you ascend. (And that IS important at a concert.) There was a guy in front of us, maybe 6', not huge, who was too tall for his seat. There was no room for his legs or feet. He stood for two hours. Then a corpulent gentleman plopped down in the vacated seat. He didn't fit. So --- a big NO to the top of Carnegie Hall. But a big YES to Jacob Collier. His talent is astounding and his covers of music I grew up with are innovative and simply fabulous.

My recent NYC trip was made because of the NYC Ballet's $30 under 30 program. Our local friend had…read moretold us about it and I'm so glad to have learned about this amazing program. If you are 30 years old or younger, you are able to purchase tickets to the ballet for $30. You can register online ahead of time, but know that our IDs never seemed to get approved online, so we still had to go in person to purchase the tickets. You are able to only purchase two tickets under your name and you must have your ID with you for this program. We went for the Balanchine + Wheeldon show which was incredible. First of all, this theater is beyond beautiful. It was a really rainy night, but the beauty of this theater helped me forget how wet we were from the rain. You are able to take stairs or an elevator to your floor. The ushers were extremely kind and helpful. The seats themselves were pretty comfortable. I love how angled the seating was. As a shorter person, this can really obstruct my view, but the overly angled seating helped remedy this. The ballets themselves were incredible. Each one better than the next. It was such a magical night. I highly recommend visiting the this ballet.

I was here for The Nutcracker. The acoustics were excellent. The production was absolutely…read moremagical, with incredible dancers, high-quality costumes, and breathtaking sets that truly brought the performance to life. The staff were friendly and helpful, making the entire experience smooth and enjoyable. I sat in the First Ring, Row C. While I would've preferred Row A, those seats sell out very quickly, so I definitely recommend purchasing early. Overall, I felt the tickets were worth the price. The dedication and hard work these ballet dancers put in much of which we don't see behind the scenes make the final performance even more impressive. Truly a memorable night.

The Art Students League will always have a special place in my heart. I can't speak to how they are…read morecurrently but I attended from 2015-2019 and made many friends here, and it was a great environment to create, whether I was learning wood sculpture or refining my vision as a painter. Most of the instructors were wonderful, offering guidance when I asked and space when I needed it. It is very reasonably priced and remains a true NYC institution. The only instructor I would caution against is Pat Lipsky. I found her conceited and negative, even spiteful at times. If your aesthetics do not align with Immanuel Kant or Clement Greenberg, you may not feel welcome in her class. After she asked me to help set up her studio for a visiting curator, I left the class. From that point on, she refused to acknowledge me when we crossed paths. Still, the overall experience was deeply meaningful. I am grateful for the time I spent here and the ways it shaped my work and friendships.

I left because too many cliques, too much ganging up on other artists. Management too weak (or…read moreafraid) to clean it up. Much better places for artists: . NY Studio School . NY School of the Arts

We only ordered drinks because we planned to eat afterward…read more Service was first rate. Ambience is welcoming, low-key. The wait staff was warm and attentive.

What a melodic way to honor John Coltrane's Centennial by celebrating 100 years of the legendary…read moresaxophonist & composer's life. I've loved all things Coltrane for as long as I can remember. His music was the soundtrack of my childhood & my introduction to jazz & the blues. So, while planning my return to NYC, I made sure to find a jazz club where I could experience his legacy. That led me to Dizzy's Club at Lincoln Center for A Masterful Tribute to Trane: Roxy Coss Quartet. I'll admit, I hesitated at the $60 cover & $20 minimum. Yet my server, Nidia, was amazingly engaging, & the seamless hospitality throughout, led by GM Raymond, was impressive. Most importantly, the extraordinary music made it worth every penny. The John Coltrane Centennial Celebration was nothing short of transcendent. Honoring Coltrane's iconic "Classic Quartet" era, saxophonist Roxy Coss led a powerhouse ensemble featuring Geoffrey Keezer on piano, James Cammack on bass, & Rudy Royston on drums. Together, they balanced fierce modal intensity with profound spiritual depth. Keezer's captivating commentary connected the music to Coltrane's history & legacy, while the musicians brought that history vividly to life. I especially appreciated the reflection on Coltrane's composition Alabama, written in response to the 16th Street Baptist Church bombing. Artist Insights *Roxy Coss; Saxophones & Clarinet: Commanded the front line with muscular tenor solos & soaring soprano lines that captured Coltrane's questing spirit without merely imitating him. *Geoffrey Keezer; Piano: Followed his historical introductions with thunderous block chords & explosive modal runs. *James Cammack; Bass: The Ahmad Jamal Trio veteran anchored the ensemble with a deep, resonant pulse & commanding presence. & a gentle note: JC performs with a walker, yet his passion for playing remains unmistakably powerful. I love seeing that kind of dedication to the music. *Rudy Royston; Drums: Fueled the quartet with polyrhythmic fury & an exhilarating, Elvin Jones-inspired drive. The intimate space & ambience were supremely curated - pun intended: A Love Supreme. Great Jazz at the Lincoln Center & a salute to Artistic Director Wynton Marsalis for helping sustain this extraordinary jazz tradition. A triumphant & unforgettable homage to jazz royalty - TRANE, encore. I plan on visiting Dizzy's every time I return to NYC.