This review will not be about James McAvoy.
I repeat, this review will not be about James McAvoy.
Okay, fine, this review is going to be partially about James McAvoy, but only in a small capacity as it relates to the overall Trafalgar Studios experience.
Went here last night to see the very much buzzed-about rendition of Macbeth (which featured, to everyone's surprise, James McAvoy).
Scored my ticket online, during the last-minute sales for Monday night performances that they do on the first of every month. Since this show has been sold out since the first hour of its announcement, I think this is a great way to let other people get a chance to go who weren't trolling the internet the first second tickets went on sale in January. The best part? The tickets during these flash sales are all £15 -- whether you sit in the very back, or the very front like I did (I'll get to that in a minute...).
Trafalgar Studio 1 (there are 2 in total, apparently the floorplan is different in the other one so I can't comment) is set up like you would expect a television studio to be -- though it's, obviously, not intended for TV production. The venue is pretty small, with a capacity of around 350 people in total, and with extremely gradated rows of seats for these visitors to perch upon. The seats themselves are pretty basic and a little too upright, and the rows are also very close to one another, due in part to the overall lack of space in the theatre. However, since you're literally sitting on the edge of your seats (no pun intended - you really are!) throughout the performance, it ends up being even more gripping. Well, at least Macbeth was. There are also seats available 'onstage' (so behind what you would traditionally think of as the stage format, though this particular performance ended up being a 360 degree one, and there was no concept of 'back' and 'front).
Since said 'stage' is just, essentially, a boxing ring-sized piece of floor at the centre of the theatre, there is no boundary between the actors and the audience. This means that they get really up close and personal. Since we were in the front row, the following things happened: James McAvoy spat on my shoe (not rudely, he just spits a lot when he speaks), a book thrown across stage hit me in the leg, and a dagger that also got thrown across stage hit the woman next to me in the leg (I'm definitely grateful I got the book). Also, did I mention that James McAvoy spat on my shoe? That's how close the actors get to the audience.
The stage/studio is deceivingly simple to the eye -- it literally looks like a gritty slab of concrete with some metal grates on the bottom, and a rusty ladder leading upstairs to a small walkway above the stage. However, there are all sorts of trap doors and unexpected stage exits, a water tap and sewage grates in which the water can drain away, and pyrotechnic equipment overhead. Gritty, but impressive. I know they did a remodel recently, so these may be some of the features added in.
In general, due to the fog machine used heavily during this performance, the impeccable acting and projection that seemed to go far above all of our heads -- presumably, even the audience in the furthest row back, and the overall eerie and removed feeling of the play we watched, there was a real sense of intimacy between the audience and the actors, yet we had a 'proper' theatre experience with a fourth wall. Although, I'd be happy for James McAvoy to break that again...he can spit on my shoe anytime. read more