Nuremberg's largest church is a stunning example of high Gothic architecture and filled with sacred art and medieval stained glass of the highest quality.
Construction began in 1250, but the hall-style choir was not built until 1439-1477. Badly damaged by bombing and subsequent artillery fire towards the end of the Second World War, reconstruction was undertaken between 1945 and 1952. Fortunately, the interior works of art had been stored safely in 1939, and so survived.
The church has a nave and choir, both aisled, with transepts, terminating in an apse: the aisles continue around the sanctuary to form a wide ambulatory. The nave of 9 bays has relatively low aisles, with a clerestory high above. The large expanses of wall must once have had colourful paintings on plaster, but are now of cool, scraped stone.
The late-Gothic choir is a different experience altogether: here the aisle vaults match the height of the choir itself, with complex decorative rib-vaulting forming star, lozenge and diamond patterns. The effect is of a forest of columns nearly 25m high.
The church is rich in 14th and 15th Century altarpieces, the earliest dating from 1316. There are also notable sculptures, including the famous statue of the "beautiful Madonna" - unusually portrayed smiling - from around 1280. Most striking is a stunning stone tabernacle, (built 1493-6) the carvings of which depict the Passion of Christ. It is surmounted by a veritable explosion of pinnacles which soar 20m to the springing of the vaulting.
There are too many great works to describe here, but it's wonderful to see them in context as works if devotional art, rather than in a museum.
As if this were not enough, the church has an exceptional array of mediaeval stained glass, mostly from the 15th Century.
An essential stop on any tour of Nuremberg. read more