Trinity Players Holy Trinity's own theatre company was set up in 2007 by Ursula Russell and Tony…read moreBoyd-Williams to create original and classic theatre as part of worship. In the years since 2007 many plays have been staged within the church itself, with the most recent being an adaptation of Andromeda. The company are currently rehearsing Don Taylor's The Roses of Eyam, which will be performed on the 13th, 14th and 16th March 2013 in the church.

Opening night of "Measure for Measure" was ultimately a success. Warning, they have chosen to…read morealienate more than half of Americans with their opening video montage and insinuations. I almost walked out before the play started. However, I wanted to give the actors a chance to overcome the distasteful display of hate and assumptions. When they have Prince Andrew and Mendelson to target, they target the President of the United States. Not every play goer is hateful and against Our President. That said, there are the typical opening night issues. Long pauses that indicated lines were forgotten or missed. The sound was also a bit off. About who showed anger or severe emotional pain by screaming, were hard to understand and sounds muffled and lost. Either the actors were not annunciating or the sound was too high on they're mics. There seemed to be a few missed cues, as well. So if that said, this okay was fantastic and the kinks will be worked out in time. I wasn't sure about the minimalistic staging and lack of scenery, but I couldn't have been more impressed with the way the actors worked the bare stage making my imagination take over and seeing an entirely different experience in my mind. The acting was superb! Luccio came in a little rough, but he really stole the show by the end of the post. Well done! I would recommend the theater, as it is a bucket list for many thespians and okay goers! What an incredible production. Unfortunately, I allowed the RSC website to pick my seats. I ended up in a straight high back chair where my legs dangled and I couldn't see the entire state and videos in the background. It probably helped me be distracted by the disrespect they were insinuating. I would never buy tickets with these seats again. Almost intolerable, so the acting and entire production overshadowed what I didn't care for. Next time, if I'm lucky enough to be back in Stratford Upon Avon, I would return. Tolerance and giving things a chance worked out for me. I also live Shakespeare and am a thespian at heart.

Several levels of seating. Upper seating has railing in front which obstructs view. Need to lean…read moreforward for clear view. The two performances I have been to have been entertaining. Most of cast do a good job. Ushers helpful. Need to open bags for security check. Recommend online ticket purchase.

It's a tourist-centric experience in a country full of castles that may offer a more…read morehistory-focused and much less expensive day out. £24 a ticket, no matter the age and then and additional £6 to park...regardless of the time of day. If you enter at 4PM you get an hour of the place for that price. Listen, the Falconer's Quest (birds of prey show) is enjoyable - but is that alone worth the cost? Maybe. I will leave it up to you.

Beautiful setting, loved the exhibits. I liked that the exhibits were not covered by decorations…read more You could actually see them. Friendly staff!! The cafe was wonderful!!! My first trip to the UK and it did not disappoint!!!

Visited this venue for the first time at the start of May, seeing a well-attended concert. First…read moreimpressions - foyer is small, but the staff friendly. There are two places to purchase refreshments, there is the bar, but right next to it there is another bar-like area which sells soft drinks and ice cream. The queue moved quicker for this, so that's where I'll be going in future. In the auditorium, the seats were small and uncomfortable. I had to share a third of mine with the large man next to me. But the sound was good, and overall it was a very positive experience

This theatre appears to have a fantastic range of shows, including the traditional panto at…read moreChristmas. The programme often consists of fairly well known acts and comedians, in an attempt to draw in bigger crowds from afar. Inside, the theatre itself is quite large, although it looks mildly amateurish inside. The outside architecture of the building leaves a lot to be desired, in its' 1960s concrete style fabrication, however, the stage itself is a good size, especially for some of the larger scale productions. There is a bar for mid-interval drinks, of which pre-orders can be taken to avoid the massive queues at half time.

Great amateur dramatics, acted from the heart. Last year,…read morethe Bird of Prey Theatre Company presented Gerald Farmer's Fighting is a Soldier's Job at the Dirty Duck on Remembrance Sunday. Gerald wrote down his memories for his grandchildren; his manuscript found its way to local writer and director Steve Newman who turned it into a visual radio play. Visual it was, soulful, incredibly funny sometimes and at times deeply emotional. In Flashbacks, Gerry relives the time when, as an 18-year old, he is sent to Korea, only a few months into his National Service. Pete Cubbit in the role of Gerry played the part so naturally and heartfelt, that the real Gerry, now 78 and in the audience, showed enthusiastic approval throughout. Sarah Cushing impersonated the journalist interviewing Gerry charmingly, with deep empathy and just the right dose of professional nervousness. Val Cubbit was Gerry's wife Alice, so sweet in their courtship and so touching in his thoughts of her. The young soldier's traumatic journey through fear and loss started with and was accompanied by Clive Bardell who portrayed an ever shouting and intransigent Sergeant. Matt Stead brilliantly personified US-soldiers and also his native Yorkshire voice. In his debut: David Stevens who, in six different parts, excelled in his versatility of accents, including BBC newsreel, Cockney, posh officer, Arab narrator. Hilary Newman was an anxious Gerry's mother, and highly professional, with the necessary hint of bossiness, Sandy Holt the radio producer. When Sarah closed the show singing My Bonny Lad in her beautiful clear voice, many of the audience were drawn on an emotional swing between tears and cheers. Richard and Angela Bush providing the technical support and Felicity Howlett the sound effects and images, including Steve Newman's choice of memory-laden songs, created the enthralling atmosphere that so ingeniously revived the 50s.

In November 2011, on Remembrance Sunday, the Bird of Prey Theatre Company presented Gerald…read moreFarmer's Fighting is a Soldier's Job at the Dirty Duck. Gerald wrote down his memories for his grandchildren; his manuscript found its way to local writer and director Steve Newman who turned it into a visual radio play. Visual it was, soulful, incredibly funny sometimes and at times deeply emotional. In Flashbacks, Gerry relives the time when, as an 18-year old, he is sent to Korea, only a few months into his National Service. Pete Cubbit in the role of Gerry played the part so naturally and heartfelt, that the real Gerry, now 78 and in the audience, showed enthusiastic approval throughout. Sarah Cushing impersonated the journalist interviewing Gerry charmingly, with deep empathy and just the right dose of professional nervousness. Val Cubbit was Gerry's wife Alice, so sweet in their courtship and so touching in his thoughts of her. The young soldier's traumatic journey through fear and loss started with and was accompanied by Clive Bardell who portrayed an ever shouting and intransigent Sergeant. Matt Stead brilliantly personified US-soldiers and also his native Yorkshire voice. In his debut: David Stevens who, in six different parts, excelled in his versatility of accents, including BBC newsreel, Cockney, posh officer, Arab narrator. Hilary Newman was an anxious Gerry's mother, and highly professional, with the necessary hint of bossiness, Sandy Holt the radio producer. When Sarah closed the show singing My Bonny Lad in her beautiful clear voice, many of the audience were drawn on an emotional swing between tears and cheers. Richard and Angela Bush providing the technical support and Felicity Howlett the sound effects and images, including Steve Newman's choice of memory-laden songs, created the enthralling atmosphere that so ingeniously revived the 50s.

This a small but very nice place. The civic hall is located in town, parking is sometimes a problem…read morewhen events are taking place but you always manage to find one somewhere. Inside there is a bar which is of reasonable price. The staff are very friendly and show you where you need to go if you get lost. Tickets for things are never too expensive so it is a good place to go to see a show or two.