I found out about PT Studio through multiple internet searches on the Internet. I had studied Method, I was interested in Meisner and Michael Checkoff. I bought her book "Creating Acting Lions" and was impressed with how it covered everything you needed to know about the Acting Profession, but amazingly, somehow, she had created this recipe for scene work that was complete. No mystery, it was all there.
I began to take classes after a busy audition season. I felt overwhelmed when I had 3 to 5 auditions in a week; I remember watching a video of Penny talking about 'being ready' for the fast paced, modern atmosphere of television and movies where things often changed at the last minute and how a strong technique for breaking down your script can make this an everyday, run of the mill thing.
The Introductory Class with Hank is all about script analysis: core, the character's 'great happiness', burning question (what the scene is about?), what is my job in the scene? substitutions, internal actions, external strategies, what is the genre of the scene? Even - how to mark up your script. Not just an intro to acting but a foundation to becoming a working actor. By the 5th evening we were breaking down 1,2 page scenes and performing them verbatim within a half hour with a partner. Since that time, I've loved going to cold reading auditions. I don't bury my face in my sides any longer, I perform to the camera. I'm now always off-book at auditions.
The Advanced On Camera class, with Penny, teaches Camera Technique, Continuity, working with Props, Auditions, Green Screen, Blocking with new scenes every week - this class introduces you to camera work - the importance of which, I completely underestimated. Penny is not only an acting teacher but has an amazing eye for camera work - she been using cameras in class for more than 15 years -- a pioneer. Penny is one of those 'once in a lifetime' teachers who is a deep well of wisdom. Try as you might, you never see the bottom of that well.
With this class - Penny honed in on my ticks: moving too much, facial relaxation - (for a lot of actors its doing 'more'), for me it was 'less'. With the scene work you have an opportunity to see how your scene preps works on the big screen. Did I mention they have a full digital production studio with Chromakey setup (green screening and digital effects ability), Studio lighting, and enough space to project on 12x 18' backdrop (to my layman's eye, we're always on set) -- the camera training is ongoing and used in all aspects of PTS far beyond the Advanced Camera Class.
In Master Class the challenged are bigger: some of the themes "Pilot Season" - crucial (we have three days to prepare these auditions for pilots); we went from 3 pages in the first week to 18 pages in the 6th week. A year ago this would have been unbelievable for me. Classic theatre - a huge confidence builder, Green Screen (a boot camp for sensory work) with action oriented scripts where all your tools will be challenged to the max. Also, the first hour of class is the Acting Barre exercise (Barre as in Dancer's Barre) - which is a lot of fun. And then usually the next hour is a cold scene, an audition on camera, with a 20 minute prep, off book. Penny critiques this and we then tape again at home to send her the scene with the adjustment.
Since I started taking classes there ( from 7/17), I've booked three commercials and I'm way more comfortable with my work. I can take my tool box from PTS everywhere and I'm at home with on-set challenges.
I would recommend this amazing and unique studio to any actor looking to work steadily in the business. Forget about luck, forget about magic, forget about being 'discovered'. Take control of your career by building the specific skills that will get you working. There is a pragmatic, step-by-step approach at PTS. read more