Standing in contrast to the Gothic and Roman Cathedrals of Frankfurt, Cologne and Trier The…read morePilgrimage Church of Wies appears as a bright white structure on approach of Steingaden, the relatively humble exterior in no way preparing visitors for the glorious Rococco spectacle inside. Built between 1745 and 1754 to house a statue said to have shed tears, and designated by UNESCO in 1983, do put this on a list of places to visit when traveling through Bavaria.

This place is one of my favourite spots to visit in Bavaria. The first time we visited here was…read morefour years ago in the winter and, this place was standing almost all by itself in the middle of nowhere. I was in awe when we walked into this empty church and looked around. It's a UNESCO World Heritage site and is my favourite church in Bavaria. The insides are done in traditional Bavarian style with beautiful paintings all throughout and beautifully sculpted walls and statues. Take the time to sit down and observe all the detail and enjoy the peaceful surrounding of the church. A must visit in Bavaria.

The current cathedral wasn't the original church built at this site, there had been several…read morepredecessors. The current building was built start around 1755, and is one of the last monumental Baroque buildings in Europe. Typically, in a cathedral building one would find the entrance between the two towers, but here you enter by the backside. It was fun to watch several confused people in the courtyard trying to find the entrance. Once you manage to find the entrance you will be impressed by the brightness of the white interior and amazed by the green stucco work, rose marble altars, gilded altar screen, large ceiling frescoes, and abundance of cherubs spying on you from every corner. Beneath the apse there is a small crypt, but it wasn't open. Also, there is no access to climb either of the towers. Overall, the interior took my breath away, and my eyes were always catching something new as I walked throughout the lovely church.

My love of elaborate architecture brought us to Fürstabtei Sankt Gallen, with its double spires and…read moreattractive red, blue and golden detailing. The massive structure is a massive centerpiece for St. Gallen, Pass through a narrow wooden door into the sanctuary and stand in awe: murals painted across the ceiling, iron gates clad with gold flowers, teakwood furnishings and a gigantic, three-story-tall wardrobe. No matter where I stood in this kirche, the view was breathtaking. Every position reveals a new glimpse into the decor. The best view is from the baptismal in the rear, looking forward towards the alter. The size and detail of Fürstabtei Sankt Gallen can be experienced in all its glory. Take your time walking back though; there is much to see along the way. Viewing Time: 45 minutes Cost: Free

A wonderful little church up a mountain. It did take quite the trek with our rental car to reach…read morethe church as the paths up the mountain can get winding and narrow, but we managed to snag a parking spot right by the church in an empty lawn-sort of area. You get amazing panoramic views from the church, and it is a great location to meditate and pray at with its peaceful ambience. Nearby there were trails that led towards the philosophenweg and the cable car station. We saw many locals walking their dogs or doing hikes up the area.

Beautiful catholic church in Weingarten. Definitely worth stopping by! I would recommend visit it…read moreon a bright and sunny day, because it gets very dark inside on gloomy days. The church was built from 1715-1724. With its height of 67m and length of 102m, it is the biggest baroque church in Germany north of the Alps.

This is undoubtedly the most significant building in Mittenwald, and it is the pride of the locals…read moreand one of the most popular photo opportunities among tourists in the Karwendel Alps. The Mittenwald church is mentioned for the first time in 1315. The current church building was built in 1734-49 by the Wessobrunn master builder Joseph Schmutzer and decorated with numerous, colorful frescoes by the Augsburg artist Matthäus Günther. The landmark of Mittenwald is the church tower, completed in 1746 and painted with the church patrons Petrus and Paulus (Peter and Paul). You can spot the tower from everywhere in town. In the small square at the base of the bell tower is a monument to Matthias Klotz, who brought the art of violin-making to Mittenwald in 1683. The antique organ was restored in 1999. In summer there are many organ concerts with internationally renowned artists on the sonorous Edskes organ. In the churchyard there are two altars. One is in a beautiful grotto with votives and a Madonna back-lit from above. The other commemorates fallen German soldiers from World War II...a rare display of young Nazis discretely, yet reverently remembered.

It is the Catholic parish church of Oberammergau in the Garmisch-Partenkirchen District (Bavaria),…read moreis an important example of the southern German Baroque. It was built from 1735 to 1749. The sculptures were created by Franz Xaver Schmädl, the pictures and frescoes by Matthäus Günther. A pre-Romanesque predecessor church was probably built as early as the ninth century, possibly replacing an even older wooden church. At this time, the Welfe Ethiko withdrew here with twelve companions to a life in a monastic community. In 1167, the Kempten monastery was given twelve courtyards with the right to present themselves through the church. In 1295 and 1362 they became the property of the Augustinian monastery in Rottenbuch. All pastors of Oberammergau can be completely documented from 1432 to the secularization of the monastery in 1802; they all were Augustinian Canons. The Oberammergau parish was founded in the 12th century by the Rottenbuch canon monastery, with which it remained pastorally connected until secularization. The first church was replaced by a Gothic building in the High Middle Ages. This had become so dilapidated at the beginning of the 18th century that the new baroque building was tackled. The middle picture of the high altar shows the Mother of God as the heavenly helper of those who ask for intercession and contribute gifts. It is replaced by a figure of the risen Christ during Easter and the Passion Play. The statues of the apostles Peter and Paul as well as the outside of St. Joseph and Joachim with their attributes are remarkable. The Lamb of God is enthroned on the book with seven seals above the tabernacle . The two side altars on the choir arch are dedicated to the theme of redemption through Christ's sacrifice on the cross. The left altar shows in a rare representation God's decision to salvation as an "inner conversation" of the Trinity. The saints Martin and Gregory the miracle worker appear at the side. The right altar shows Christ on the cross -- this cross is considered to be the one in front of which the Oberammergau residents took their vows of the Passion Play in the year of the plague in 1633 -- with Mary and John and, on the outside, the "good thief" Dismas and Mary Magdalene . The altars in the side extensions are dedicated to the holy clan (left; altarpiece by Günther) and Saint Anthony of Padua (right; picture by Johann Jakob Zeiller ). It's a very gorgeous sanctuary to say the least (photos).