Although the original building wasn't designed for it, the Festival Theatre is now the largest…read morestage in Scotland and is the de facto home for opera, ballet and large scale touring musical productions. Seating just a shade under 2,000 people, it also serves as the main showcase venue during the Edinburgh Festival (as you might expect from the name). This location has held a theatre since 1830, and is Edinburgh's oldest theatre site.
Resurrected from the old Empire Palace theatre, the restoration involved preservation of the auditorium and not much else. The front of house was replaced by a light, airy glass-fronted façade which, while not exactly sympathetic to the surrounding buildings, is at least an exciting addition to the area. Inside there are spacious foyers, bars, cloakrooms and a cafe area, with a central staircase providing access to all levels. There are plenty of toilets and some function rooms that you can hire for conferences or events.The contrast between this modern structure and the traditional auditorium is quite startling.
The backstage area was completely rebuilt from scratch, and the actual stage is enormous - the largest in Scotland - with a side stage and rear scene dock of similar size, enabling it to stage some of the larger European operas that come to the Edinburgh Festival.
In 2013 they added a Studio theatre in a new building on Potterrow, providing extra rehearsal space or a smaller performance venue for dance and small companies - a welcome addition and much needed in Edinburgh.
Now, a little bit of history for you: The Moss Empires were a chain of theatres around the country, known for their large-capacity wide auditoriums, and many of them still exist, such as the Liverpool and Hackney Empires, and of course there was the infamous (and now sadly vanished) Glasgow Empire. In style they are all quite similar and can seem quite plain architecturally, favouring function over form, compared with some of the smaller more intimate theatres.
This particular theatre was originally designed by the renowned (and prolific) theatre architect Frank Matcham; but you would be hard-pressed to recognise any of the characteristic Matcham features, as the building burned to the ground in a disastrous fire in 1911 during a performance by the famous illusionist, The Great Lafayette. Although the safety curtain was lowered, a piece of set prevented it from coming in fully, causing a draught which fanned the fire into an inferno killing Lafayette, ten members of his company, the lion involved in the illusion he was performing, his horse and some stage crew who were unable to escape the stage as Lafayette had ordered all the doors to the stage locked to prevent unwanted interlopers discovering his secrets.
His body was soon found in the wreckage and sent to Glasgow for cremation. Two days later however, workers clearing the debris found an identical body, identified as Lafayette by the fancy rings he wore - the original body found was his secret body double, his means of performing many of his illusions. Or was it? Some say that the first body was the correct one, and that his shade haunts the theatre to this day because of the mix-up...
His funeral procession through the streets of Edinburgh attracted an estimated crowd of 250,000 people, and he was laid to rest in Piershill cemetery.
Because of this tragic accident, legislation was passed requiring all theatres to drop and/or lift the safety curtain at each performance in sight of the audience, just to prove that it is functioning correctly. So the next time you are at the theatre and see the safety curtain being lowered, spare a thought for The Great Lafayette, a real-life tragedy more dramatic than any play.
