You'll be surprised to find mid-century modernist architecture inside this most traditional of…read moreBavarian palaces. But splendid it is, with tapestries of Greek mythological figures adorning the walls to recall the royal family's fondness for classical statuary. They also help give the hall excellent acoustics. The most distinctive element of the hall's design--indeed, the oddest--is the cloakroom. You need to walk through it to enter the hall, and it's absolutely massive. In fact, I think it's bigger than the auditorium. Did the architect have a coat fetish?

From the owner: Das Alexander Krist Theater ist weltweit das erste Table Magic Theater (gegründet 2007), das heißt,…read moredass Sie hier Magie aus einer Nähe erleben, wie sie zuvor noch kein Magier zu zeigen gewagt hat. Im Stil eines Amphitheaters sitzen Sie in fünf Reihen um den runden Tisch der Magier und erleben hautnah, dass hier die Naturgesetze nicht gelten. Das Alexander Krist Theater steht für ein unvergessliches Erlebnis und einen Theaterabend, der Ihre Erwartungen übertreffen wird - es steht für Magie in einer neuen Dimension! Wir freuen uns auf Ihren Besuch!

Great big place and quite busy. The acoustics are not fantastic and you lose some or the effect of…read morethe symphony.

This is a fine and engaging venue for classical performances. The clever and avante-garde design…read moreadds visual appeal but also creates a sense of an intimate venue while seating a large audience. There might not be a bad seat in the whole place. The seats, by the way, are deeply padded bent-ply with wide armrests (wide enough to share). You will be comfortable here. Food and beverages are available but expensive. I tried the Proseco with Hibiscus Blood. It was terrific. The acoustics are curious. Compared to the lush, warm sound of the Munich Opera House, the sound here is crisp and detailed - perhaps a little bit too crisp and too detailed. The higher registers seems to explode through the room. Sometimes this gives life and punch to the music, but at other times it is the aural equivalent of shining a bright fluorescent light on the Mona Lisa. It must be an unforgiving place for the performers, too. The downside is that the venue itself is not an experience. Historic venues like the Opera House are themselves a feast for the mind and the senses. This venue is about presenting the performance as vividly and clearly as possible - here it succeeds admirably.

From the owner: Münchens erstes Improtheater. Beste Unterhaltung live in ganz Bayern und natürlich im Schlachthof…read more Außerdem gibts in der Improschule Kurse.