Sono andato al Museo del Violino a Cremona senza sapere praticamente niente di violini, pensavo…read morefosse una cosa per esperti. Invece mi ha sorpreso tantissimo: è moderno, con schermi touch e audio che ti spiegano tutto in modo semplice, e vedere da vicino gli Stradivari originali è davvero impressionante, sembrano opere d'arte perfette. L'auditorium è bellissimo e ho avuto la fortuna di sentire un violino storico suonato dal vivo: un suono incredibile! Consigliatissimo anche a chi come me non è un musicista, vale ogni euro del biglietto.

We visited this museum in 2015 and have wanted to come back ever since. It really is a great,…read moremodern museum which has excellent displays of violins, violas, and other string instruments. The museum is absolutely stunning! It takes you through Cremona's five-century history of violin making by introducing you to the great masters and their violins, violas and cellos. Step-by-step, the museum describes everything that rotates around the life of the violin. You begin with how it all started; then, moves on to the luthier's workshop, where you can smell the scent of resin and wood. There is an onion shaped room for listening (which was closed on this visit). In the next room, the virtual books speak of Cremona's school of classical music and on a map of Cremona from the Stradivari era you can see the distribution of the shops. Perhaps the best part of the museum is their "Treasure Room," a room entered through heavy tapestry with lighting focused to highlight the superb violins on display. There were several made by Antonio Stradivari and by "del Gesù," among others. Both men lived in Cremona in the early part of the 1700's and knew each other. Bartolomeo Giuseppe Antonio Guarneri ("del Gesù") was an Italian luthier (violin maker) from the Guarneri family of Cremona. He rivals Antonio Stradivari with regard to the respect and reverence accorded his instruments, and for many prominent players and collectors his instruments are the most coveted of all. (Think $2-4 million for a Stradivari and $8-10 million for a "del Gesù."). At the end of your visit, you get to see the Permanent Collection of Contemporary Violin Making. The collection also explores how the modern world has joined the world of the violin with the promotion of the friends of Stradivari network. The last room is dedicated to the violin's role in films. This museum should not be missed. It is truly a treasure. The museum is closed on Mondays.

A great museum that is perfect to do with children or by yourself. Audio tour available in multiple…read morelanguages. Kids interactive area. Many hands on exhibits. Covers the works of da Vinci with displays, touch screens and models. Really nicely done.

The DaVinci Museum is a must in Milan. Seeing his brilliance come to life in this exhibition of his…read moreinventions, many interactive, is an excellent representation of why he is remembered as an engineering genius as well as a painter. 45

This is a museum/school. It was a bit hard finding the museum, but pretty amazing once you find…read moreit. Tons of religious paintings that are larger than life and I mean large! Couldn't believe the size of some of these. It is strange that the exit is the entrance, so you will have to walk ALL the way back. Still, an amazing place and check out my pictures!

This museum is a must see when in Milan. It is so wonderful that I would even recommend a trip to…read moreMilan just to see it. The art is mostly religious but the setting is what makes it special. The wall color is different in each room and the scale of the art is unlike anything I have ever seen in either the Uffizi, Prado, the Louve or the Met. Paintings the size of Times Square billboards cover walls of intense blues, teals and magenta. We had the good fortune of seeing a spectacular exhibit featuring the work of Giorgio Armani whose elaborate creations were on display in almost every room. The building itself was a marvel. Timed tickets are a must.

The museum is a small museum on the side of the duomo and houses a great collection of mostly…read moreItalian artists for the 1900s, including my very favorite Modigliani! It is worth visiting because of the art in the museum. The museum itself is not functional, the lighting is not designed to present the art at its best (artificial light reflects on the glass so you have to move to a side to enjoy some of the art with glass in the front) and it has a weird flow that requires staff to guide visitors in and out. It is very small, so good size if you want to get in and out, especially if you have young ones with you that may not enjoy museums as much.

Handsome installations in beautiful, colonnaded spaces offer a concentrated view of Italian…read moremodernist art, with the an emphasis on Futurism. With few signs, wayfinding is very difficult, and the separation of up and down escalators (each is located at opposite ends of the building) result in an unnecessarily tiring experience.

Minimalist architecture along a tree-lined street. I was excited to check out this museum since the…read moreproliferation of fashion exhibits in recent several years in major cities has provided fantastic insight into garments from these high end and often couture design houses. Upon entry, you are greeted by very tall, well-groomed men--it seemed a little too specific that there were barely any women and the exhibit attendants all looked like male models that needed side gigs. Nothing against good looking people (and modeling is not the easiest industry to get into, so not detracting from them needing work), it just felt excessively deliberate and superficial though I suppose that's the image they want to portray as an old school high end fashion company. The first 2 floors of the museum were basically photographs blown up larger than life poster size from various shoots and campaigns through the years. Nice shots though it felt a bit self-congratulatory and pretentious--like I understand maybe one floor dedicated to photos,--two just felt like too much, also it was just a lot of photos of beautiful people looking beautiful, which is really not that impressive. Any better than decent photographer with a good eye for composition could shoot these given the right resources. I guess it's supposed to make you want to aspire to that impression of beauty, contrasting images of both the girl/boy next door and high fashion shots, both with that sort of unobtainable perfection, exoticism or sex appeal displayed by alternatively a super casual or aggressive pose, or a carefree or mysterious smile, or intense expression. I would've appreciated the photos more if they were about the clothes but really the way a lot of the compositions were framed the clear focus was on the people's faces, bodies/poses and emotions they evoked while they just happened to be wearing Armani which honestly detracted from my appreciation for the fashion itself. On to the top 1.5 floors with actual garments--it looks like they switch up what's on display since from the photos posted several years ago I'm pretty sure not all of these were on display when I visited. I appreciated that you could walk around the exhibit and see the garments and some accessories up close, there are a lot of details you can't see from behind a glass display case! Overall enjoyed the variety and creative design elements. There is an archive "research" area where they have computers and desks set up on the top floor for visitors to look thru archive collections which was nice. Bathrooms were clean and lowkey tastefully designed. There were elevators but not accessible to the general public bc they made you walk up 3 flights of stairs and back down (I tried pressing the elevator button/touch pad but couldn't get it to work?). Aside from top floor, not really any place to sit on the first 3 floors, I saw a couple ladies sit down on the stairs between the floors bc they wanted a break.

Loved this! The gowns are presented as art and the intricate design, fabric, and construction are…read morevisible. I was able to get close (Not touch!) the gowns and really see the artistry. This was a very welcomed surprise enjoyment. Spent about 2 hours going through the four floors. Layout is very well done - with arrows pointing the way around each floor, which helps with flow and crowd control. We went on a Sunday, so it was free (another bonus). The staff was very friendly and helpful and kept an eye on everyone to make sure no one touched anything. Nice variety of colors, fabrics and styles made each section interesting in itself. The videos were good too, although in Italian, so I did not understand them except for the English parts. Very well worth the time for fashion and non-fashion people.