Bathing in thermal waters inside a national monument, the uncontested masterpiece of the famous…read morearchitect Peter Zumthor, makes always a certain effect, especially if the environment is so far from your everyday surroundings. When you enter the narrow corridor, like a tunnel which leads to changing rooms, you seem to go in a mine through bowels of the earth.
The spaces are very elegant and linear, walls are flatware of squares of quartzite, the local rock, which colour is pearled grey with clearer and darker nuances. It is soft and warm and if the sunlight touches it, it glitters particularly when the rays reach the water of the outdoor swimming pool. In the indoor spaces there is half-light everywhere: in the elegant cloakrooms, in the cabins of the massages, in the relax rooms, in the indoor swimming pools.
Except sun beds in mahogany tree and doors of blue glass there are no decorative elements, such as e.g. vases of flowers or quite simply some colour spots. The impression which you receive is of a total immersion in another (if I dare to say, almost supernatural) dimension made of silence and relaxation.