If you like Celtic Music (that's Irish, Scots, Breton, Newfoundland Roots, etc.), this free-by-donation 2.5-day festival is amazing. I just found it this year, which is the 19th year for this festival, and it was sensational, musically speaking!
(By the way, it's pronounced in the Anglicized way, "AL-mont.")
In addition to several bands who are all worth paying to go see anywhere, the "headliner" band's members (this year that was the wonderful young Newfoundland band, "The Dardanelles") gave Saturday morning workshops in their particular instruments (and that means Matthew Byrne, who has a glorious voice, gave a vocal workshop, dazzling Emilia Bartellas gave a standing-room-only fiddlers' workshop -- good Lord, there are a lot of fiddlers around these parts! -- the stunning button-box player Aaron Collis gave a workshop which had only two other players -- what an amazing opportunity that was!, and laid-back but admirably precise percussionist Richard Klaas gave a packed bodhran workshop). Plus TWO concerts, Saturday and Sunday afternoon/evening, stacked with high-energy bands like Hadrian's Wall and The Peelers, plus the Steel City Rovers. All very pro-sounding bands. One of the things I liked best was the Dardanelle's lovely habit of stopping the music entirely and utterly in synch at the end of a phrase and then launching into the next one, changing tempo or starting the next piece in a trad set -- it was beautiful and it made very clear exactly how much practice and/or professionalism (mastery of the instruments and their own versions of the tunes) they had altogether!
Each band brough some high-energy excellent music to the festival stage, a substantial ultramodern steel-pipe curve with a heavy-duty shade/weather cover for the summer, which had very professional lights and sound. Matthew Byrne, who also has a solo career, has the aforementioned glorious voice, but his mic was turned up so high that occasionally it distrorted through the festival speakers. Not his fault, and the festival folk said this was the best sound guy they had had in years, but at the same time, I got the feeling they may not have had adequate opportunity to test the mics with the full range of Byrne's vocals for the evening. Even during the final song of the festival ("Parting Glass," one verse each sung first by sweet young singer Emma Hans, next by the festival's artistic director, David Baril and finally by The Dardanelles' lead singer, Matthew Byrne), Byrne's mic was turned up high enough to distort on crescendos. Eh, that will be solved next year, I'm sure.
A lovely touch along Mill Street within the town itself, that both promoted the town's shopping/dining area and provided ambience and live advertising for the Celtfest, was the presence of three covered "Busker Stations," where festival performers and registered buskers were scheduled to play throughout the afternoons, far enough apart that they did not clash. From tiny piper Rowan Hunter ("heh, was so good I put $10 in the tip jar!" said an older gentleman of Almonte commenting on Rowan's playing) to a four-piece band that sort of sprang up for the occasion, there was a lot of excellent music *also* for free on the street in Almonte itself.
Another fun touch was the bus-chauffered "pub crawl" organized for the Friday evening before the festival games began. Can never get enough trad -- I just settled on one pub, Naismith Sports Pub, because its owner, the golden-throated C&W singer Charlie Kitts, had chosen to feature the regular Wednesday Night Session members as his pub's band.
Delightfully, there were Youth Celtic Football and hurling on the athletic fields adjacent, pre-concert.
This is a volunteer-run festival existing by donations, so I do not hold it to the same standards as for-profit festivals in the "vendors" department: there were few actual crafts vendors, they were the minority among the single row of vendor tents, which included some excellent cultural tents like the one displaying hurling equipment, along with such not-so-well-known Celtic features as "Costco Promotional Tent" and a Multi-Level Marketing-style "home tea sales" tent. There were a few, and that's all to the good: more, please! Anyway, the completely-volunteer, donation-based status is why despite the scarcity of "real Celtic arts, crafts, clothing, musical instruments, etc" that one might see at a Highland Games or even a good Ren faire, I have to give the Almonte Celtfest 5 stars -- music is what it's about, and they earned their stars for that, definitely! read more